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Movies about propaganda

propaganda

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This video analyzes the tactics, both subtle and blatant, employed by the corporate media to control your mind. This video covers just one day in the lies of the corporate media. See for yourself how they sell us out in this startling comparison.

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Fallujah, The Hidden Massacre is a documentary film by Sigfrido Ranucci and Maurizio Torrealta which first aired on Italy's RAI state television network on November 8, 2005. The film documents the use of weapons that the documentary asserts are chemical weapons, particularly the use of incendiary bombs, and alleges indiscriminate use of violence against civilians and children by military forces of the United States of America in the city of Fallujah in Iraq during the Fallujah Offensive of November 2004.

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Empire: Hollywood and the War Machine

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Busting Out, a new documentary by filmmakers Francine Strickwerda and Laurel Spellman Smith, explores the history and politics of breast obsession in America. The film is a disarmingly honest and intimate exploration of our society's attitudes towards breasts and how they affect women

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The British public were told that the new information technology, heralded by The Sun's move to Wapping, would bring a greater variety of newspapers and a more diverse media. But it produced a contracted press controlled by ever fewer proprietors. John Pilger describes the downfall of his old paper and the all-pervasive influence of Rupert Murdoch.

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Behind The Big News: Propaganda and the CFR

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9/11 and the British Broadcasting Conspiracy

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WMD, a 100 minute non-fiction film, explores this story with the findings of a gutsy, media insider-turned-outsider, former network journalist, Danny Schechter, who is one of America's most prolific media critics. Schechter says he ' self-embedded ' himself in his living room to monitor media coverage, by fastidiously tracking the TV coverage on a daily basis. He wrote thousands of words daily about the coverage for Mediachannel.org, the world's largest online media issues network, and then collected his columns, blogs and articles in a recently published book, EMBEDDED: Weapons of Mass Deception (Prometheus Books) . He has continued his one-man investigation with WMD, a two-hour indie non-fiction film that asks the questions that his media colleagues refused to confront before, during and after the war. Featuring footage from inside Iraq, and inside the media, WMD tracks the media war through February 2004.

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WMD, a 100 minute non-fiction film, explores this story with the findings of a gutsy, media insider-turned-outsider, former network journalist, Danny Schechter, who is one of America's most prolific media critics. Schechter says he ' self-embedded ' himself in his living room to monitor media coverage, by fastidiously tracking the TV coverage on a daily basis. He wrote thousands of words daily about the coverage for Mediachannel.org, the world's largest online media issues network, and then collected his columns, blogs and articles in a recently published book, EMBEDDED: Weapons of Mass Deception (Prometheus Books) . He has continued his one-man investigation with WMD, a two-hour indie non-fiction film that asks the questions that his media colleagues refused to confront before, during and after the war. Featuring footage from inside Iraq, and inside the media, WMD tracks the media war through February 2004.

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War Made Easy: How Presidents and Pundits Keep Spinning Us To Death

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John Pilger looks at world-wide propaganda surrounding the nuclear arms race. John Pilger's penetrating documentary which looks at world-wide propaganda surrounding the nuclear arms race. When the two American atomic bombs were dropped on Hiroshima and Nagasaki in 1945, they were code-named 'Fat Man' and 'Little Boy', and President Truman announced after the event: 'The experiment has been an overwhelming success.' 'These', says Pilger, 'were words used to describe the awful and horrific carnage of nuclear war. By using reassuring, even soothing language, this new kind of propaganda created acceptable images of war and the illusion that we could live securely with nuclear weapons'. Official 'truths' are examined in connection with the bombing of Hiroshima, the build up of arms by Russia and America, the siting of nuclear bases by the US in Britain and Europe, Ministry of Defence statements about the Cruise missile base at Greenham Common, and other US bases, the amount of government money spent on weapons, 'Civil defence' arrangements and a NATO 'limited' nuclear and chemical war exercise in West Germany, which Pilger describes as 'a dry run for the unthinkable'. Many experts give their views, including Paul Warnke who thinks arms reduction is feasible -- 'All we need is the political will to go ahead with it'.

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Triumph of the Will

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According to Fox News, only nine hours of their broadcasting is dedicated to ' news ' while the most important hours of the day (before 9 AM and between 4 to 6 PM) is not considered news. Conveniently, these off hours are when the infamous Fox News media pundits such as Bill O'Reily, Neil Cavuto, and Glenn Beck are supposedly NOT reporting the news.

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Dispatches: Spinning Terror

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Spin

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Normon Solomon on CNN

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This groundbreaking documentary dissects a slanderous aspect of cinematic history that has run virtually unchallenged from the earliest days of silent film to today's biggest Hollywood blockbusters. Featuring acclaimed author Dr. Jack Shaheen, the film explores a long line of degrading images of Arabs--from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding ' terrorists ' --along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today. Shaheen shows how the persistence of these images over time has served to naturalize prejudicial attitudes toward Arabs and Arab culture, in the process reinforcing a narrow view of individual Arabs and the effects of specific US domestic and international policies on their lives. By inspiring critical thinking about the social, political, and basic human consequences of leaving these Hollywood caricatures unexamined, the film challenges viewers to recognize the urgent need for counter-narratives that do justice to the diversity and humanity of Arab people and the reality and richness of Arab history and culture.

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Paying the Price: Killing the Children of Iraq

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Outfoxed: Rupert Murdoc

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Orwell Rolls In His Grave

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